VINCE GILL “AN OPEN-END INTERVIEW WITH…” 1984 RCA NASHVILLE W/SLV.+CUES NM/EX+

THIS 7” RECORD COMES FROM MY PERSONAL COLLECTION, SOME ARE PROMO’S FROM THE NATIONAL RADIO NETWORK I WAS AT FOR 19 YEARS OTHERS FROM RECORD STORES, SWAPS,YARD SALES,CHARITY SHOPS, ETC.….ALL OF MY 45’S COME IN A PROTECTIVE PLASTIC OUTER SLEEVE…I DO COMBINE SHIPPING, .25 EACH FOR THE U.S. FOR EACH ADDITIONAL RECORD. CHECK OUT MY OTHER AUCTIONS.WHEN I CLICK ON EBAY’S “USED” THAT ONLY MEANS THE RECORD IS OPENED, IN MOST CASES IT IS UNPLAYED SO “NEW” IN THAT SENSE. I USE THE GOLDMINE STANDARD GRADING SYSTEM.THE PHOTOS ARE OF THE ACTUAL ITEM FOR SALE, SORRY IF THEY ARE SLGHTLY BLURRY OR IF THERE MAY BE A LITTLE GLARE.THESE ARE VISUALLY & PLAY GRADED. AS FAR AS I KNOW THEY ARE UNPLAYED. I WILL NOTE ANY MARKS OR SCRATCHES ON THE VINYL IF I SEE ANY… NOTE: INTERNATIONAL SHIPPING LIMITED AT THIS TIME, PLEASE CHECK IN THE SHIPPING TAB TO MAKE SURE I SHIP TO YOUR COUNTRY BEFORE BIDDING/BUYING… THANKS! THERE MIGHT BE A LITTLE DUST IN A COUPLE OF THE PICS CAUSED BY STATIC ELECTRICITY. ALWAYS FEEL FREE TO ASK QUESTIONS. NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN’T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK ‘EM UP, ON WIKI, OR OTHER SOURCES ETC. (SORRY ‘BOUT THAT!) NOTE: I AM CLEARING OUT SOME OF MY 45’s COLLECTION. ARTIST: VINCE GILL TITLE: “AN OPEN-END INTERVIEW WITH VINCE GILL” RECORD LABEL: RCA RECORDS NASHVILLE CAT #: VG-0403 YEAR: 1984 RECORD CONDITION: IS IN NM/NM- CONDITION, NICE CLEAN SHINEY BLACK VINYL, SUPER CLEAN LOOKING & PLAYING, NO SCRATCHES, LINES, BLEMS, SMUDGES, DINGS ETC. BOTH LABELS ARE IN NM CONDITION. BOTH SIDES PLAY SUPER CLEAN LIKE BRAND NEW. I TRACKED IT JUST TO SEE HOW CLEAN IT IS AND TO GLEAN SOME INFO AS THE LABELS & COVER LETTER ARE UNDATED, HE MENTIONS A SONG CALLED “TILL THE BEST COMES ALONG”. THE CUE SHEET IS IN MINT CONDITION, IT WAS FOLDED FOR SHIPMENT, AND IS ON RCA “NIPPER’S NOTES” LETTERHEAD SLEEVE: THE SLEEVE IS IN EX/EX- CONDITION, NICE CLEAN STRAIGHT EDGES, NO WRITING, TEARS. RIPS ETC. THERE IS SOME LIGHT CREASE ON THE BACK LEFT SIDE OTHER INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK. THIS WAS NOT SOLD TO THE GENERAL PUBLIC SENT OUT TO COUNTRY RADIO & MUSIC MEDIA TO HELP PROMOTE VINCE’S FIRST SOLO RELEASE. PRINTED ON BOTH LABELS IS “NOT FOR SALE. PROMOTIONAL USE ONLY.” THE CUE SHEET HAS THE QUESTIONS WRITTEN OUT FOR A DJ TO “ASK” AND THEN VINCE GIVES HIS ANSWERS, TRACK TIMING IS ON BOTH LABELS. VERY RARE EARLY PROMOTIONAL ARTIST FOR COUNTRY HALL OF FAME MEMBER & SUPER NICE GUY. NOTE: I’VE BEEN ABLE TO MEET/INTERVIEW VINCE A FEW TIMES AND OF COURSE HEAR HIM PERFORM, ONE OF THE NICEST GUYS IN THE MUSIC WORLD, HAD TO INCLUDE A PIC WITH HIM, SORRY IT IS NOT A PART OF THIS ITEM, BUT I WOULD BE HAPPY TO PM IT TO THE CD BUYER ON REQUEST. ARTIST INFO:Vincent Grant Gill, 12 April 1957, Norman, Oklahoma, USA. Gill’s father, a lawyer who played in a part-time country band, encouraged his son to have a career in country music. While still at school, Gill joined the bluegrass group Mountain Smoke. He moved to Louisville in 1975 and joined Bluegrass Alliance before demonstrating his vocal, guitar, banjo and fiddle talents on the Pure Prairie League’s albums Can’t Hold Back, Firin’ Up and Something In The Night. In the early 80s, Gill moved on to Rodney Crowell’s backing group, the Notorious Cherry Bombs, and recorded an album with David Grisman, before inaugurating his solo recording career with a six-track mini-album for RCA Records, Turn Me Loose. His 1985 hit duet with Rosanne Cash, ‘If It Weren’t For Him’, was later withdrawn due to contractual difficulties. Gill also continued to work prolifically as a session musician and songwriter, working with artists including Cash, Emmylou Harris, Dire Straits, and Patty Loveless. The latter repaid the compliment by duetting with Gill on ‘When I Call Your Name’, which was named Single Of The Year by the Country Music Association in 1990. Gill’s career took off at MCA Records and in 1991 he enjoyed several US Top 10 country chart hits with ‘Pocket Full Of Gold’, ‘Liza Jane’ and ‘Look At Us’ and was voted the Male Vocalist Of The Year at the 1991 Country Music Association’s Annual Awards Show. In 1992, Gill went one better when he not only picked up the Male Vocalist Of The Year award but also the award for Song Of The Year with ‘Look At Us’, a song he co-wrote with Max Barnes. In 1992, additions to his chart successes included ‘I Still Believe In You’ (number 1) and ‘Take Your Memory With You’ (number 2), and he received a further three CMA Awards. Gill later revealed he had turned down the offer to join Dire Straits for their 1992 world tour, preferring to concentrate on his own career. Among performers and public alike, Gill is now established as one of the most successful figures in country music, and has won more CMA Awards than any other artist. The excellent When Love Finds You included a tribute to his brother and Keith Whitley, ‘Go Rest High On That Mountain’, with harmonies from Patty Loveless and Ricky Skaggs. Gill has mainly concentrated on romantic ballads, although he proved he could turn his hand to soul music when he duetted with Gladys Knight on ‘Ain’t Nothing Like The Real Thing’ (although, at the time, Knight was not even sure who he was). His duet with Dolly Parton on her incredibly successful ‘I Will Always Love You’ was a US country hit in 1995, after they performed it at the CMA awards. Gill also proved he has a long future in the limelight by being an excellent host at the awards ceremony. High Lonesome Sound explored several styles of American music, with varying degrees of success. The Key returned him to the heart of the mainstream, gathering a number of major awards and reaching the Billboard Top 20. His 17-year marriage to Janis Oliver of the Sweethearts Of The Rodeo ended in divorce in the late 90s and in March 2000, he wed singer Amy Grant. His album, Let’s Make Sure We Kiss Goodbye, followed a month later. The follow-up, Next Big Thing, was an important album that saw Gill restating his musical credentials. Gill was inducted into the Nashville Songwriters Hall of Fame in 2005. NOTE: LIMITED INTERNATIONAL SHIPPING AT THIS TIME DUE TO VIRUS MAILING CONCERNS. CHECK TO MAKE SURE I SHIP TO YOUR COUNTRY IN THE SHIPPING TAB. I DO COMBINE SHIPPING. I AM NOW OFFERING A CHOICE BETWEEN MEDIA MAIL OR 1st CLASS SHIPPING DOMESTICALLY. ALL 7” SINGLES WILL BE MAILED OUT IN PADDED ENVELOPES WITH EXTRA STURDY CARDBOARD TO PROTECT THE ITEM. I DO COMBINE SHIPPING WITH OTHER LIKE SIZED ITEMS. ADDITIONAL 45’S .25 EA. IN THE U.S. VIA MEDIA MAIL OR OTHER USPS SERVICES. ONE 45 WITH SHIPPING MATERIALS IS 5 OUNCES, 2 6 OUNCES, THREE 8 OUNCES, FIGURE 2 OUNCES FOR EA. ADDITIONAL 45. I DO COMBINE SHIPPING………. CHECK OUT MY OTHER AUCTIONS PLEASE PAY FOR ALL ITEMS WITHIN 7 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN ONE WORKING DAYS ONCE PAYMENT IS RECEIVED. NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN. I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY.